January 8, 2014
Reopening a long-running and divisive controversy, the Board of Supervisors this week voted to once again place a cross on the Los Angeles County seal.
The action came nearly a decade after the board agreed to remove the Christian symbol under threat of a legal challenge by the American Civil Liberties Union. The county spent hundreds of thousands of dollars after that 2004 decision to replace the seal with a redesigned version that now appears throughout its facilities and on items ranging from business cards and badges to uniforms and vehicles.
The impetus for the board’s about-face this week was a motion by Supervisors Michael D. Antonovich and Don Knabe, who argued that the current seal’s depiction of the San Gabriel Mission without a cross is “artistically and architecturally inaccurate.” Although the cross was removed from the mission during retrofitting following the Whittier Narrows earthquake, their motion said, it has since been restored to the structure and the county seal should reflect that.
Supervisor Mark Ridley-Thomas joined Antonovich and Knabe in voting to bring back the cross. Supervisors Gloria Molina and Zev Yaroslavsky voted against the measure.
Although the motion made no mention of religion, Yaroslavsky said the cross is the principal symbol of one particular faith, and noted that there is extensive legal precedent barring its incorporation into the seal on Constitutional grounds.
“The court cases have made it very clear that the use of a symbol, the principal symbol of any religion on a government seal, is unconstitutional,” Yaroslavsky said.
“And this is not just about history,” he added. “It’s about the cross. To say anything different would be really somewhat disingenuous…There are a hundred ways we could depict history. But the one that’s been chosen here is the cross.”
The county seal currently in use replaced a 1957 version designed by the late Supervisor Kenneth Hahn and drawn by the artist Millard Sheets. Hahn said at the time that the seal was intended to depict “the cultural and educational and the religious life of this county.” Featured on the seal, in addition to the cross, were images including the Hollywood Bowl, a Spanish galleon, a tuna, a prize-winning Guernsey cow named Pearlette, several oil derricks and the goddess Pomona carrying fruit. The redesigned seal eliminated the cross, the derricks and the goddess but added an image of a mission (without a cross) and a Native American woman.
The 2004 decision to drop the cross prompted an uproar, with nearly 1,000 people gathering outside the Hall of Administration on the day of the Board of Supervisors’ vote, some with signs calling the ACLU the “Annihilation of Christian Liberties Union.” Hahn’s children, then-Mayor James Hahn and then-Councilwoman Janice Hahn, argued in favor of keeping the symbol on the county seal.
Yaroslavsky, however, said at the time he was willing to make an unpopular decision if it was the right thing to do: “The First Amendment is not a popularity contest.”
At Tuesday’s meeting, he once again argued against including a religious symbol on a government seal, but this time was on the losing end of the vote. Before the board’s 3-2 decision, Yaroslavsky predicted the county would face, and lose, a legal challenge—particularly since it would be restoring a symbol it had removed after questions were raised about its constitutionality.
That point was echoed by Peter J. Eliasberg, legal director of the ACLU of Southern California, who said reincorporating the cross into the county seal would violate both state and U.S. constitutions. He also said that the separation of church and state has helped to strengthen religious activity in the United States, not to diminish it.
“The ACLU strongly believes that religion has flourished in this country, perhaps more than any other, and religious pluralism has flourished because the government does not favor or denigrate any particular religion,” he said. “Adding a sectarian religious symbol to the county seal, the preeminent symbol of one particular religion, runs against that grain.”
After the meeting, Eliasberg would not say whether his organization plans to file a lawsuit.
While Eliasberg spoke against the motion, several others supported it, including a resident of Altadena who said: “There’s nothing unconstitutional about having an historical reference to the role of religion in the formation of the nation…None of this has really anything to do with the Board of Supervisors or anyone else promoting religion. We’re just accurately depicting our cultural heritage in history.”
July 9, 2013
Dr. Mark Fajardo has done thousands of autopsies in the dozen or so years he has spent as a forensic pathologist with Riverside County. From Palm Springs retirees to meth addicts to the renegade former Los Angeles Police Officer Christopher Dorner, he has examined all walks of toe-tagged life.
Still, as the Board of Supervisors named him Los Angeles County’s new chief medical examiner-coroner on Tuesday, Fajardo acknowledged that L.A. has one kind of death to which he’ll have to become accustomed when he steps into the job in August.
“In Riverside County,” he says, laughing, “we run the gamut—except for the celebrities.”
Fajardo, 49, succeeds Dr. Lakshmanan Sathyavagiswaran, who will retire this year after more than 21 years in the position that has come to be viewed as perhaps the nation’s most public coroner’s job.
Marilyn Monroe’s death was investigated by the Los Angeles County Department of Coroner; so were Sen. Robert F. Kennedy’s and Sharon Tate’s and Janis Joplin’s and John Belushi’s and Notorious B.I.G.’s and Michael Jackson’s and Whitney Houston’s and the paparazzo who died earlier this year trying to get a photo of Justin Bieber.
So many high profile cases come through the department, in fact, that in some instances, they’ve boosted the coroner himself to star status. Between 1967 and 1982, Dr. Thomas T. Noguchi came to be known as the “coroner to the stars.”
“I haven’t had to interact with the press much at all, so this will be interesting,” says Fajardo, noting that he hopes to follow Sathyavagiswaran’s lead and delegate most of the media interaction to someone else in the department. Despite a nationally televised stint on the stand during the trial of O.J. Simpson, the current coroner came to be known less for his time in the spotlight than for his competence in rebuilding the department after Noguchi and his successor, Ronald Kornblum, left their jobs amid management lapses and critical audits.
Nonetheless, Fajardo says, when he visited the department, he and Sathyavagiswaran talked at length about the challenges of dealing with death, L.A.-style.
“He told me that you lose all privacy, that you might have any member of the press asking any question at any time, and that you have to be prepared to answer openly,” says Fajardo. “And we talked about the media’s involvement in the case of Michael Jackson. He said there was such a caravan of cameras and paparazzi that they had to utilize a helicopter just to get him from Point A to Point B.”
That said, Fajardo says he’s looking forward to the $275,000-a-year job, which brings him and his wife, a San Bernardino County employee, back to his hometown.
Born at LAC+USC Medical Center, he spent his childhood in East Los Angeles and Pico Rivera. When he was 12, his father, a Los Angeles County deputy sheriff, was killed in an automobile accident on the way to work, and the family moved to be near relatives in Santa Maria.
It was there, while Fajardo was in high school, that the door to his current career opened.
“I took a class at a local community college to learn how to be an EMT,” he recalls.
That skill helped pay his way through his undergraduate training and medical school at UC Davis, where he initially aspired to be an emergency room doctor.
“I actually ran the student clinic at UC Davis,” he remembers. “But the people I played basketball with were pathologists and the friendships I made led me down that path instead.”
At Riverside County, he says, he has performed more than 5,500 autopsies, including more than 350 homicide cases while managing seven full- and part-time pathologists and helping manage a department that handles some 11,000 cases a year.
“This is as far removed as you can get from what most people think of as working as a doctor,” says Fajardo. “But for me, every case is a puzzle I get to solve, hopefully in a way that gives their families closure. I speak for the dead. I try to answer the questions about how they lost their lives.”
Demographically, he says, his caseload isn’t much different than Los Angeles County’s.
“We have our share of homicides,” he says ruefully. “And we’ve had six officer-involved shootings in the last month.”
But while the Riverside County coroner’s operation is large by some measures, serving about 1.3 million people, its constituency is only a fraction of the size of L.A. County’s.
“To me, that’s probably the biggest challenge,” says Fajardo. “Ten million people and all of them have needs. And we have to meet them—we provide a service, just like sheriff’s deputies and firefighters. It’s just that, unless a celebrity dies, people just don’t notice us as much.”
October 4, 2012
It’s been rolling out, bit by bit, since mid-summer, but this weekend, Grand Park will finally get the grand opening Los Angeles has been waiting for.
As the third and final section of the 12-acre space opens to the public, a festive block party is being planned on Saturday, October 6, from 4 p.m. to 9 p.m., with dancing around the fountain, Cuban jazz on the lawn, food trucks on the street and, at the park’s eastern boundary, a soaring aerial ballet up the sides of L.A.’s iconic City Hall. Then on Sunday, the park will leap into action as a hub for the wildly popular CicLAvia.
“It’s really exciting,” says Dawn McDivitt, who has managed the park project for the county’s Chief Executive Office. “The opening of the first two blocks in July drew 5,000 people in the first weekend, and we think this weekend will draw even more.”
Stretching from City Hall to the Music Center, the new park—an inviting 4-block rectangle of grass, plants, water and hot pink lawn chairs—has been drawing crowds since its first segment opened this summer, offering the first substantial stretch of green space in downtown L.A.
Conceived nearly a decade ago as part of a plan to redevelop Grand Avenue with luxury hotels, condos and retail, the park moved ahead while other elements were postponed by the economic downturn, largely because of a $50 million payment that was negotiated upfront from Related Cos., the project’s developer.
The first section, opened in July, is anchored by a Starbucks and the Arthur J. Will Memorial Fountain, which features an ankle-deep membrane pool that has become a major weekend draw for nearby families. The middle section features a community terrace with a Court of Flags, a Vietnam Memorial and 24 cherry blossom trees from the Japanese Consulate. The final section, at the City Hall end, will offer a dog park and a spacious event lawn that planners already are programming for local gatherings. Also on tap for the future is an anchor restaurant or café at the City Hall end of the park.
“I think if you ask anyone, the park is already a success,” says McDivitt, noting that none of the park events so far have drawn fewer than 200 to 300 people. “And when you compare that to the mall that was there before, where, if you saw 20 people in all three blocks, you were lucky—just looking out my window at the Hall of Administration, it’s amazing. People who have driven in from their communities for events, neighborhood people from the lofts, mothers sitting around the membrane pool with their children. There are more people than I’ve seen down there in 22 years of working here.”
This weekend’s kickoff is expected to draw crowds from throughout the county, starting with 11 a.m. dance lessons at the Music Center Plaza in a salute to Latino Heritage Month.
At 4 p.m., the Grand Park celebration will officially begin with “A Fanfare for Grand Park,” a reprise of a dance performance that premiered at the park’s July dedication.
At 5:30 p.m., down the hill on the park’s performance lawn, the Latin jazz duo Dos y Mas will launch the park’s new World Jazz Series, and at 6:45 p.m. outdoor videos will be projected onto the wall of the county’s Richard Neutra-designed Hall of Records building that flanks the park.
After a welcome from public official and dignitaries, the party will move to the event lawn. There, at 7:45 p.m., the aerial dance troupe Bandaloop will perform a spectacular vertical dance on the walls of the city’s towering City Hall building, suspended hundreds of feet off the ground by climbing ropes.
Park officials view Saturday’s celebration as just the start of Grand Park’s new role as a downtown centerpiece. Programming will be handled for the first three years by the Music Center, and Park Director Lucas Rivera has predicted the park will soon be home to farmers’ markets, arts festivals, book fairs, and other regional gatherings. McDivitt says she won’t be surprised to see regular movie nights, with outdoor films projected on the Hall of Records. Already, one segment of the park is home to the downtown speakers’ series Zócalo.
Events scheduled for the near term include an October 14 Pooch Party for dogs and the people who love them on the event lawn, an October 27 performance by the AXIS contemporary dance company, a November 2 night time Dia De Los Muertos party and a November 4 arts happening called Flash Fest.
Says McDivitt: “This really is a brand new chapter for downtown L.A.”
September 19, 2012
Los Angeles has plenty of big, famous exports: movies, food trends, celebrity gossip.
And at least one sought-after small one: the pint-sized rescue dog.
While dogs in Los Angeles County’s busy urban animal shelters can range from dachshunds to Saint Bernards, there’s an abundance of the little ones coveted by would-be adopters in other areas.
So a thriving pet transport circuit has sprung up. Since 2009, 3,457 L.A. County shelter dogs have found their way to Utah, Oregon, Montana, Colorado, Virginia and New York. Within California, they’ve hit the road for new homes in San Diego and Santa Cruz, with stops along the way at closer, less-crowded shelters in Irvine and Glendale. With 1,219 dogs transported so far this year, 2012 is the busiest yet for county canine relocations.
To land a quick home in another ZIP code, the transplanted L.A. dogs must be healthy, friendly and (generally) small. “Anything under 30 pounds, they’ll take. We could ship 5 Chihuahuas for every Labrador,” said Marcia Mayeda, the county’s director of Animal Care and Control. “It’s filling a void in their area.”
Because of the sheer size of its shelter population and the popularity of certain petite breeds here, Los Angeles County is able to share its canine wealth with places that have a shortage of adoptable small dogs.
Now the American Society for the Prevention of Cruelty to Animals is getting in on the act. With funding from New York philanthropist Carroll Petrie, ASPCA aims to save 16,600 dogs across the country in the next 8 months by helping to transport them out of crowded shelters. The Los Angeles County Board of Supervisors this week approved the county’s participation in the Carroll Petrie Foundation Dog Rescue Project. A subsidy of $50 per dog will allow the transfer of some 50 dogs a month from the county’s Downey Animal Care Center to the Mission Viejo Animal Services Department and, potentially, to other shelters as well.
The Chihuahua popularity boom—fostered by rampant media images of well-heeled pooches traveling around in celebutantes’ purses and stealing scenes in movies like Legally Blonde and Beverly Hills Chihuahua—contributed to overbreeding and a tiny-dog population explosion in L.A. and other California shelters in recent years. (On Tuesday, of the 1,521 dogs in Los Angeles County shelters, nearly a quarter—378—were Chihuahuas or Chihuahua mixes.)
But now some areas are beginning to contend with a Chihuahua boom of their own, and have had to limit the number they accept.
Portland, for example, is “kind of saturated” with Chihuahuas these days, although the Oregon Humane Society still welcomes a twice-a-month shipment of other kinds of dogs from L.A., said Jennifer Barta, the agency’s “second chance” coordinator.
“Everybody here loves the L.A. dogs,” Barta said, marveling at how the transplanted pups endure “an incredibly long journey” yet still manage to come out wagging. “It’s just pretty phenomenal.”
Robin Harmon, “Pup My Ride” coordinator for the Best Friends group, has a good sense of what kinds of dogs are moving where.
A vanload of dogs that traveled from Los Angeles to Salt Lake City this week was “half Chihuahuas and a half what we call ‘fluffies’—poodle and terrier mixes,” Harmon said.
An upcoming shipment to New York, she said, will “probably have at least 30 Chihuahuas.” One of those L.A. expats will be going to the Hamptons, she said: “We’ve been laughing about that.”
An exception to the small dog rule: Billings, Montana, which Harmon said can be counted on to welcome four or five German Shepherds, along with other smaller dogs, from L.A. every couple of months.
Cats, alas, are another matter. “We are pretty well inundated with homeless cats of our own,” said Jessica Almeida of the Humane Society of Utah.
Even though the transport system can’t solve all the problems of homeless pets, redistributing the adoptable dog population makes it easier for conscientious consumers around the country to do the right thing when it comes to bringing home an animal.
“People want to go to a shelter,” said Mayeda, the county’s Animal Care and Control director. “They want to save a life.”
September 6, 2012
The next shiny, new section of Grand Park debuts Tuesday, but its centerpiece has been around for decades—although odds are you’ve never heard of it. Called “The Historic Court of American Flags,” it’s long been flying under the radar.
When the court was first completed in 1971, it featured 18 replica flags dating back to 1774, with plaques describing each one. The minimal landscaping surrounding the display served mostly as a cover for a four-level parking garage below. As far as public visibility, you’d be lucky to see more than a few stars and stripes from the neighboring streets.
Now, as the Grand Park Project gives the 12-acre space between the Music Center and City Hall a dramatic makeover, the flags have been uprooted from their original spot in the center of the park space and arranged parallel to Hill Street and Broadway. This not only vastly opened up the middle of the park’s third block but also gave the flags a more showy location.
Dawn McDivitt, the county’s project manager for Grand Park, said the flag court provides the community with “a space to reflect” on the nation’s—and the county’s—history. She said the county’s Department of Military and Veterans Affairs was consulted on the flags’ relocation and were “very, very pleased” with the results.
The flag court represents an effort by the designers to incorporate the area’s history with its future. A signature feature of the park, in fact, is the renovated Arthur J. Will Memorial Fountain, which, like the flags, was largely invisible to the public until two parking lot ramps were demolished and relocated.
The newest touch was the design of the concrete pedestals in which the poles and plaques have been mounted. Before, everything was cemented at ground level. Architects from Rios Clementi Hale Studios, which designed Grand Park, created the blockish pedestals so that the flags and plaques could be seen more easily, by more people.
The latest section scheduled for opening this week has been dubbed “Community Terrace.” Besides the court of flags, it boasts plants and flowers from all six floristic regions of the world, 24 cherry blossom trees from the Japanese Consulate, and, of course, the park’s movable magenta benches, chairs and tables. Terraced ramps will improve access to the area while offering extra seating capacity for large events once the final segment of the park near City Hall opens on October 6, just in time for the hugely popular CicLAvia to roll through the next day.
The Community Terrace is also home to theVietnam Memorial Monument, which features a bronzed Army helmet from the war’s era. The helmet had been sawed off and stolen twice over the years, so designers upgraded the monument with a threaded steel rod and other security measures to keep any would-be thieves at bay.
The terrace will open with a short ceremony on Tuesday, September 11 at 9 a.m. Bea Cohen, a 102-year-old World War II veteran recently honored by the Board of Supervisors, is expected to be on hand for the event. During the ceremony, the historic flags will be hoisted by veterans from all branches of the military, as well as by fire and law enforcement officials.
July 25, 2012
The 6,200-square-foot pool in front of the restored Arthur J. Will Memorial Fountain has only a quarter-inch of water, but it’s likely to be a huge crowd magnet, says Jim Garland, president of Fluidity Design Consultants, which oversaw the fountain’s restoration and expansion.
“It’s going to be awesome,” says Garland. “There’s a similar pool around the Millennium Park Fountain in Chicago, and kids roll around in it, and people just love it, and it’s probably the most popular fountain today in the United States.”
But under the sleek, nonslip surface and its inviting jets of water, an elaborate system of machinery and maintenance workers will be hustling around the clock to keep that expanse—technically known as a “membrane pool”—clean. The pool’s filtration system was kept separate from the one used for the fountain itself, Garland says, because health codes set a higher standard of cleanliness for interactive water elements.
Every drop will circulate every half-hour through an underground filtration and disinfection system that will kill bacteria with ultraviolet light and chlorinate the water. Security guards will patrol to ensure that no one abuses the pool area or mistakes it for a bathtub. And the crews that monitor the fountain at the Dorothy Chandler Pavilion will manually test for cleanliness at least three times daily.
“It’s about a 10 minute test—we just take a water sample and drop in a tablet,” says Keith McTague, director of building services and chief engineer at the Music Center. “We’re mainly doing it as a check and balance on the filtration system, which is automatic, and so that the readings are documented. But if we have to do it more often, we will.”
These safeguards are crucial because, while the historic Will Memorial Fountain was designed to keep people out of its waters, the adjacent membrane pool was conceived as a way to entice kids and grown-ups alike into getting wet.
“Nobody was sure there would be money for an interactive area like that,” Garland says. “But…we all fought to keep it in.”
Much of the inspection and testing of the system will rest with the Department of Public Health environmental health unit which, among other duties, acts as the county’s “fountain police.”
Chief Environmental Health Specialist Bernard Franklin says the Grand Park membrane pool is different from the roughly two dozen other interactive fountains throughout the county. Most of those, he says, are “splash pads” in which water spurts from a dry deck surface—not like Grand Park, where jets are placed in an ever-present layer of water.
In fact, Franklin says, the Grand Park pool will be the last of its kind in the county after September, when revisions to the California Building Code and the California Code of Regulations will prohibit pools of standing water in fountains that encourage public interaction with the water.
Franklin, who helped author the new rules, says that while the Grand Park pool will be well maintained, others with a lesser design or oversight could generate potentially unhealthy conditions. “Pools like these can be big collectors if you’re not careful,” he says. “Dirt gets in them, pigeons and ducks come around them, people try to use them in ways they aren’t supposed to.”
To that end, camera monitors and round-the-clock security will be in place to discourage mischief and enforce rules that will, among other things, ban camping and skateboarding in the park.
The results promise to be well worth it.
As the designer Garland puts it: “At night, you’ve never seen anything like it. It’s going to be magical.”
July 12, 2012
When Grand Park opens in the downtown Civic Center later this month, it won’t just be the show-stopping fountain and collection of internationally-inspired garden plantings that will have eyes popping—and tongues wagging.
Check out those benches.
Perhaps not since “festive federalism” stamped its exuberant, mid-‘80s color palette on the 1984 Olympics has such a comment-worthy color explosion rolled into L.A.
While most of the park itself remains out of view behind temporary chain-link fencing swathed in green mesh, a pair of its vibrantly-hued benches recently popped up outside the 2nd floor entrance to the Hall of Administration, where they’re visible to everyone passing by on the busy pedestrian corridor to and from Starbucks.
And everyone, it seems, has an opinion.
“Awesome. It’s fun. Different,” said Adrian Taghdiri, who’s interning in the County Counsel’s office.
“They’re cute, but it’s a little bright,” said Frances Espinosa of the Assessor’s Office.
“Beautiful!” said Zella Scott of the Treasurer-Tax Collector’s office.
“A little bit too loud for me. It’s like something out of the 1960s,” said Jesse (Jay) Luna of Public Health.
“Generally, with pink you think of breast cancer awareness. It’s different, I guess,” said MacKenzie Smith of the D.A.’s office.
“Will the boys not sit at the girls’ benches?” wondered Renee Rose, also of the D.A.’s office. “You’ll have to be very in touch with your masculine side not to be intimidated.”
“I like them, especially on a bright, warm, sunny day like today,” said attorney Ludlow Creary, passing through after an appearance in Federal Court. “They’re very inviting. I think it’s very L.A., but that’s not a bad thing. Something like this works in L.A.”
So what color are those benches, anyway? Officially termed magenta, the after-lunch crowd passing by this week offered its own interpretations, ranging from “kind of like a fuchsia, but with a little deep purple in it” to “hot pink!”
Technically a variation on the color known as Pantone 219C, the hue was toned down and “richened” by the park’s designer, Rios Clementi Hale Studios, and by JANUS et Cie, the firm hired to produce the custom-designed furniture that will adorn the 12-acre expanse. (In its original form, the color is also associated with Pantone Barbie and is a dead-ringer for “Lights” in Essie’s “Poppy-razzi” nail polish line. In other words, Elle Woods would love it.)
Even though it exudes an unmistakable sense of Southern California fun, the color choice has a far-from-frivolous role. It’s a key factor in establishing the new park’s identity, taking inspiration from a variety of influences around the world, including the green seating at Paris’ Tuileries Gardens.
“We obviously wanted to really create something iconic with the furniture,” said Tony Paradowski of Rios Clementi Hale. “Our idea was to have a floral quality throughout the year.” No matter what plants were in season, “the furniture would always be this kind of bloom-like color sensation throughout the garden.”
In addition to 26 freestanding benches and 41 wall-mounted benches, the park will offer furnishings that can be moved around by patrons: 120 café tables, 240 café chairs and 40 lounge chairs on the lawn.
Using unsecured furniture is “definitely a different model for Los Angeles, but in other cities this has been around for quite a while,” Paradowski said, citing New York’s Bryant Park and Hyde Park in London, where folding fabric chairs are rented out in nice weather. Grand Park’s around-the-clock security should help keep the chairs from walking away, as will a plan to tether furnishings together after-hours, he said.
As for the color, Paradowski thinks most people will come to love it, although he acknowledges that the benches “definitely ask for opinions.”
“We worked with the construction crew out there, and a lot of them said, ‘Wow, why’d you pick pink for the chairs?’ I think a lot of them are still scratching their heads.”
July 10, 2012
Grand Park promises to be a great place for basking, splashing and even dog-walking in the heart of L.A.’s Civic Center. But don’t count on pitching your tent there.
As the park prepares for the grand opening of its first two phases later this month, a push is on to protect the vibrant urban gathering place that’s expected to be a crowd-magnet in park-hungry downtown.
The Board of Supervisors on Tuesday voted to amend the County Code to make it clear that any kind of camping—not just overnight sleeping—is prohibited in county parks under most circumstances.
Not that recreational lounging is taboo. The ordinance makes it clear that it’s fine to unfurl an umbrella, canopy, sunshade, bedroll or sleeping bag on park grounds—just as long as those accoutrements aren’t “used for lodging or living accommodation.”
County officials said the ordinance isn’t aimed at any particular group or activity. And they note that it applies to all county parks, not just the new Grand Park, which is situated near Los Angeles City Hall, where long-running Occupy L.A. encampments caused extensive lawn damage last year. City officials responded by recently enacting a new, widespread ban on tents in city parks.
As it approved the county camping measure, the Board of Supervisors also OK’d expanding sections of the County Code dealing with disturbances and aggressive solicitation in county parks—including a new prohibition barring solicitation within 15 feet of an automated teller machine. (A Bank of America ATM is located near the Starbucks in Grand Park.)
The actions approved Tuesday are part of an ordinance, set to come before the board for final approval on July 17, that places the park under management of the county’s Chief Executive Office.
Dawn McDivitt, who is overseeing the project for the CEO’s office, said that in addition to the ordinance, rules are now being drawn up for the new park—including regulations on skateboarding, potentially a big temptation on the signature, ADA-accessible ramps that will connect the park’s various levels.
She said the park, which will be equipped with security cameras, will receive round-the-clock protection from the Sheriff’s Department and private guards.
“We’re just confident we can have a safe and secure atmosphere that welcomes everybody,” McDivitt said.
June 27, 2012
After two years of construction, the first segment of Los Angeles’ new Grand Park is set to open in the final days of July, a milestone in the revitalization of downtown that will be celebrated with a nationally-promoted dance celebration.
The first two blocks of the park—from Grand Avenue to Hill Street—will be dedicated by civic leaders on Thursday, July 26, near the spectacularly restored Arthur J. Will Memorial Fountain. But the big coming out party is scheduled for Saturday, July 28, with a public inaugural coinciding with National Dance Day, an event founded by producer Nigel Lythgoe, who co-created the hit TV show “So You Think You Can Dance.” Tonight, Lythgoe is scheduled to promote the Grand Park dance celebration on his Fox network show.
“The park gives us a lovely setting to encourage all members of the community to get up, move and get healthy at the same time,” Lythgoe said in a statement.
The entertainment will be presented by The Music Center, which was recently selected by the Board of Supervisors to oversee park operations during its first three years. “This event will be a great example of the type of fun, interactive and entertaining activities Grand Park will host for years to come,” said Thor Steingraber, vice president of programming at The Music Center.
Also involved in the opening-weekend events will be The Dizzy Feet Foundation, a non-profit group founded by Lythgoe and other dancers and actors to “support, improve, and increase access to dance education” in the U.S. The entertainment is scheduled to include a performance by Cirque du Soleil. (See full L.A. County announcement here.)
When completed, Grand Park will span four blocks—from Grand Avenue near the Music Center to Spring Street, across from City Hall. The final two blocks of the park are scheduled to open in late summer or early fall. Only in recent days has Grand Park come into full public view as work crews removed the dark sheeting from a warren of chain link fences. Besides the fountain, the park will feature an event lawn, gardens and walking paths.